Whitman (Reconstr. C. Husted): I. Introduction - William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

Whitman (Reconstr. C. Husted): I. Introduction

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Plebs domini William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. II: Evangelium. Und von der sechsten Stunde William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. II: Evangelium. Sie hielten aber einen Rat William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. II: Evangelium. Die aber Jesum gegriffen hatten William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Und siehe, einer aus denen, die mit Jesu waren William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Und er kam und fand sie aber schlafend William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Und ging hin ein wenig William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Petrus aber antwortete William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Er antwortete und sprach William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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Matthäus-Passion, BWV 244 (1841 Version by Felix Mendelssohn), Pt. I: Evangelium. Aber am ersten Tage William Sharp, Post-Classical Ensemble & Angel Gil-Ordonez

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