Jeremy Siepmann Song Lists

Nabucco: Chorus of the Hebrew Slaves 'Va, Pensiero, Sull'ali Dorate' Jeremy Siepmann
Instruments of the Orchestra: Bach: Orchestral Suite No. 2 in B minor: VII. Badinerie Jeremy Siepmann
Life and Works: Music: Stolzel: Bist du bei mir Jeremy Siepmann & John Shrapnel
Life and Works: Music: Concerto for Two Violins (Largo ma non tanto) Jeremy Siepmann & John Shrapnel
Music: Nocturne In D Flat, Op. 27, No. 2 Jeremy Siepmann
Second Movement (Complete) Jeremy Siepmann
Life and Works - Haydn: String Quartet in G, Op. 76 No. 3 (Mvt 2: Poco adagio, cantabile) David Timson, Jeremy Siepmann, Roger May, Steve Hodson, Nigel Anthony, Frances Jeater & Sam Dastor
Instruments of the Orchestra: Mendelssohn: Octet in E flat major, Op. 20: movement 1 Jeremy Siepmann
Instruments of the Orchestra: Bax: Symphony No. 3: I. Lento moderato Jeremy Siepmann
Symphony No. 6 in D Major, Op. 60: IV. Finale (Allegro Con Spirito) Jeremy Siepmann
Distraction, Disappointment and Death (Narration) Jeremy Siepmann
The Return to Opera (Narration) Jeremy Siepmann
A Hero's Song, Op. 111 Jeremy Siepmann
The Death of Brahms and a Change of Direction (Narration) Jeremy Siepmann
Symphony No. 9 in E Minor, Op. 95, "From the New World": IV. Allegro Con Fuoco Jeremy Siepmann
Home Again (Narration) Jeremy Siepmann
Cello Concerto in B Minor, Op. 104: III. Finale (Allegro Moderato - Andante - Allegro Vivo) Jeremy Siepmann
The Dark Side (Narration) Jeremy Siepmann
Symphony No. 9 in E Minor, Op. 95, "From the New World": I. Adagio - Allegro Molto Jeremy Siepmann
Niagara Falls (Narration) Jeremy Siepmann
Sonata in G Major for Violin and Piano, Op. 100: II. Larghetto Jeremy Siepmann
Dvořák in Iowa (Narration) Jeremy Siepmann
String Quartet in F Major, Op. 96, "American": I. Allegro Ma Non Troppo Jeremy Siepmann
Dvořák in New York (Narration) Jeremy Siepmann
Dvořák in Cambridge (Narration) Jeremy Siepmann
Dvořák the Teacher (Narration) Jeremy Siepmann
Schezo Capriccioso, Op. 66 Jeremy Siepmann
Dvořák in Russia (Narration) Jeremy Siepmann
Tchaikovsky: Eugene Onegin, Op. 24, Act III: Polonaise Jeremy Siepmann
Dvořák and Tchaikovsky (Narration) Jeremy Siepmann
Dvořák in Leeds (Narration) Jeremy Siepmann
'Orchestra!' (Narration) Jeremy Siepmann
Discord With Simrock (Narration) Jeremy Siepmann
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant) Jeremy Siepmann
Dvořák the Czech (Narration) Jeremy Siepmann
London, Birmingham - and Brighton Belles (Narration) Jeremy Siepmann
Czech Suite, Op. 39: Preludium (Pastorale) Jeremy Siepmann
Dvořák the Conductor (Narration) Jeremy Siepmann
Symphony No. 7 in D Minor, Op. 70: I. Allegro Maestoso Jeremy Siepmann
The Second London Visit (Narration) Jeremy Siepmann
Vysoka: A New Home, A Simple Life (Narration) Jeremy Siepmann
Dvořák in London (Narration) Jeremy Siepmann
Piano Trio In F Minor, Op. 65: III. Poco Adagio Jeremy Siepmann
The Anti-Czech Stance of Vienna (Narration) Jeremy Siepmann
Symphony No. 6 in D Major, Op. 60: I. Allegro Non Tanto Jeremy Siepmann
Personal Glimpses: The Outer Man (Narration) Jeremy Siepmann
Romance in F Minor for Violin and Orchestra, Op. 11 Jeremy Siepmann
An Explosion of Popularity - On Both Sides of the Atlantic (Narration) Jeremy Siepmann
Serenade for Wind Instruments, Op. 44: I. Moderato, Quasi marcia Jeremy Siepmann
A Token of Gratitude (Narration) Jeremy Siepmann
An Amateur Pianist's Dream (Narration) Jeremy Siepmann
Slavonic Dance in C Major, Op. 46, No. 1 Jeremy Siepmann
A Populist Commission (Narration) Jeremy Siepmann
String Quartet in D Minor, Op. 34: I. Allegro Jeremy Siepmann
A New Championing, a New Friendship: Brahms Weighs In (Narration) Jeremy Siepmann
Serenade in E Major for Strings, Op. 22: II. Walzer Jeremy Siepmann
International Celebrity and Deceptive Simplicity (Narration) Jeremy Siepmann
Hope, Grief and Sublimation (Narration) - Stabat Mater, Op. 58: Quando Corpus Morietur Jeremy Siepmann
Symphony No. 3 in E-Flat Major, Op. 10: I. Allegro moderato Jeremy Siepmann
A Change of Job, Marriage and Increasing Success (Narration) Jeremy Siepmann
A Secret Life: Early Manhood, Determination and First Love (Narration) Jeremy Siepmann
Symphony No. 8 in G Major, Op. 88: III: Allegretto Grazioso - Molto vivace Jeremy Siepmann
Slavonic Dance in G Minor, Op. 46, No. 8 - Childhood, Boyhood, Youth (Narration) Jeremy Siepmann
Piano Quintet in A Major, Op. 8: III. Finale (Allegro Con Brio) Jeremy Siepmann
Cue to All of Part II and End Jeremy Siepmann
...And Leads to the Coda, the Final Flourish of the Whole Work Jeremy Siepmann
A Terrifying Cocktail of Motifs Old and New Confounds Expectations... Jeremy Siepmann
Dramatic Compression of Now-familiar Material Jeremy Siepmann
The Return of the Movement's Opening Section - Or So We May Think Jeremy Siepmann
Horns, Doubled By Strings, Introduce the Main Idea of This New Section Jeremy Siepmann
A New Section, Kick-started By Percussion: Timpani, Bass Drum and Gong Jeremy Siepmann
New Ostinato, Over Implacable Repetitions of Motif No. 1, Offset By Clarinets Jeremy Siepmann
Motif No. 1 Erupts In Full Orchestra, Then All Hell Breaks Loose Jeremy Siepmann
...And Is Twice Interrupted By Horns Jeremy Siepmann
Motif No. 2 Is Passed from Bassoons to High Wind and Trumpets... Jeremy Siepmann
Tension Dramatically Increased By a Violent Interruption from Timpani and Gong Jeremy Siepmann
This Is Joined By Another Bried But Very Striking Motif from Muted Brass Jeremy Siepmann
A New Section, Again With Two Main Motifs, the First from Wind and Strings Jeremy Siepmann
Two Variants: One a Rhythmic Simplification, the Other an Expansion Jeremy Siepmann
The Second Motif Is Likewise Predominatly Rhythmical In Effect Jeremy Siepmann
The Last Movement Is Based On Two Motifs, the First Most Motable for Its Rhythm Jeremy Siepmann
Evocation of the Ancestors (Complete) and Ritual Action of the Ancestors (Complete) Jeremy Siepmann
The Movement Ends With a Varied Reprise of the Opening Jeremy Siepmann
Lately Abandoned, the Steady Pulse Returns, As Does the 'Trumpet Motif' Jeremy Siepmann
The Steady Pulse Gives Way to a Tossed Salad of One-bar Motifs Jeremy Siepmann
A Change of Mood, Then the Whole Orchestra Crashes In Jeremy Siepmann
The Motif Disappears, Though the Background Ostinato Continues Jeremy Siepmann
Horns Introduce the First Real Motif, Destabilised By Multiple Metres Jeremy Siepmann
A Counterpoint of Ostinatos Lends Continuity to Changing Time Signatures Jeremy Siepmann
At Last the Establishment of a Clear and Steady Beat, But Will It Last? Jeremy Siepmann
The Second Statement: Breaking the Metrical Flow Jeremy Siepmann
The Next Movement Consists of a Single, Chordal Motif, Three Times Varied Jeremy Siepmann
Glorification of the Chosen One (Complete) Jeremy Siepmann
A Much-needed Breath Before the Movement Entire Jeremy Siepmann
...And Undergoes a Typcially Stravinskyan Expansion and Compression Jeremy Siepmann
In the Midst of the Fray, a New 'Rising Motif' Emerges... Jeremy Siepmann
Against the Odds, the 'Descending Motif' Comes Out On Top Jeremy Siepmann
The Middle Section Begins With a Massive But Unequal Confrontation Jeremy Siepmann
A Study In the Bruality of Suspense - A Musical Mugging Jeremy Siepmann
A Variant of Motif No. 2, But Now Descending Jeremy Siepmann

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